Spring play includes critique of restructure discussion
The spring play at George Fox University explored the tension related to the restructure of Northwest Yearly Meeting. Deus Ex Millennia “centers on the stories of seven students who find themselves hiding in a closet during an active shooter event.” At least one of the students is gay.
In a university press release, Director Rhett Luedtke said, “Each character faces a specific hardship that millennials, and others, encounter on a daily basis…. How do our students navigate a divisive and divided culture?”
Specific hardships include aspects of poverty, sexual assault, immigration, loss, identity and equality.
Near the end of the performance, a modified pdf of Newberg Friends Church Discernment Process Information document is displayed on screens above the audience while two characters – both college students – discuss the announcement of “a split.”
PHILIP: What are we supposed to do with this? This is ridiculous.
QUINN: I don’t know, Philip. I really don’t know. I thought it wasn’t that bad, you know? Like what’s so terrible about a split? Maybe we could actually be in a denomination that cares.
PHILIP: Quinn, what if the church doesn’t decide to go that direction? What if we decide it’s not important? How many terrible meetings will we have to sit through? I can’t do this anymore. I can’t sit here and pretend like LGBT people don’t want to kill themselves while we take all of this time to argue…. I can’t do it. Do you hear me? This isn’t loving! This isn’t how families treat one another! Like their belonging is up for debate?
(Church member approaches their table and asks the two if they’ve heard about the split.)
CHURCH MEMBER: Maybe we don’t have to choose. This is bigger than human sexuality. It’s not worth dividing over.
PHILIP: I don’t know if you mean what you’re saying. Maybe it is worth dividing over.
CHURCH MEMBER: I get it, really. Like this is important. But we can’t just give up over an issue. I’m willing to live in the tension. We all have to listen to each other, you know? We have to love people where they are at and that includes the people with a traditional view on human sexuality. That’s what it means to be a church. A family. It’s not like it’s a life or death issue.
QUINN: Are you serious? It is! It is a life or death issue. People are literally dying because of this. They’ve done studies – you know that right? Conclusive studies that show LGBT people are bullied more, have more thoughts of self-harm and suicide than other populations. And it’s worse if you’re in a church where people talk about you all the time as if you don’t matter – as if you’re up for debate! Do we really need to listen to people who think others shouldn’t exist or have love? Maybe those people should shut up! I’m so tired. I’m just so tired.
CHURCH MEMBER: What did I say?
PHILIP: Some people are living in the tension, others are dying in it.
At the scene’s close, Philip comes out to Quinn as gay. She hugs him and tells him she loves him. Then, in the following interlude, Quinn crouches inside a closet while members of the ensemble yell at her:
“Why aren’t you willing to live in the tension? I don’t like her voice – it’s annoying. I love you anyway. You’re too aggressive, consider where the others are coming from. I mean it’s fine but just keep your sexuality to yourself. Care less. You’re making yourself sick. Just work harder. It’s not impossible. Wow, you’re not a scary feminist after all. I don’t support that lifestyle. I just feel more comfortable learning from a male pastor. You’re the problem. This is just the way things are.”